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In , a key moment in this historical struggle, it is crucial that there be a discussion based on how to defend and generate new economic models that emerge in the digital era.

Many people and groups are working on this and we consider that is important to display a common front.

Much has already been done and said in this regard. We believe in intelligence and evidence-based policy. We will use all this background as a starting point, essential bibliography.

The plan is to address sustainability in several areas, most importantly, we think, in terms of:. Open online collaboration requires some infrastructure such as servers, URL, etc.

We can identify several provision models to sustain such infrastructure, such as foundations, corporations, forms of self-provision, etc.

There is also an urgent need to reconcile different hypotheses around the idea of incentives to creativity that can better adapt to the digital era.

It is also necessary to rethink the role and the characteristics of the creative community today, in the consumer-producer era, as well as the role of the cultural industries as contributors to the process and no longer as its exploiters.

The purpose of this workshop is both to introduce existing tools to those policy reform organizations not already familiar with them, and to facilitate further development of these and other tools by drawing on the experience, needs and expertise of policy reform NGOs, particularly those with a focus on the EU.

This workshop encourages users and tool providers to explore together more effective methods of action.

This panel will approach and discuss the different legal, technological and factual challenges that lie in the field of Open Public Sector Information; not only in terms of PSI availability, but in terms of PSI re-use as well.

The working methodology of the FCForum is to organize participants into different working groups with each group working on several hypotheses, so that we all tend towards creating and overall strategy.

October Discussion The discussion will revolve around the points of friction between the different proposed models, in order to find ways to bring them closer together and make them more compatible.

We believe in developing forms that make it possible to include and improve all the different options that are brought to the table, so that they empower each other.

Powered by WordPress. Designed by Xnet and Angel Uzkiano based on the Lonelytree theme. Not just for the good of the sector, but also to neutralise the excuses for attacking the Internet and the free flow of culture and knowledge.

This year, we will systematise the models that have emerged from the restructuring of the journalism sector, teaching specifically music teaching , digital fabrication based on 3D copies and intermediary platforms for online music creation and distribution.

But above all, we will propose two models that are fully structured in practical and legal terms: to revolutionise for-profit sharing mechanisms on one hand, and crowdfunding on the other.

Crowdfunding, a financing system that dates back thousands of years, has experienced a remarkable boom on and thanks to the Internet.

We have also seen how institutions sometimes use it to shirk their responsibility to support culture. A sane society should promote both kinds, and support them for the good of the sector.

Or could it be that governments are intent on protecting multinationals rather than authors? As it happens, society is defending authors, while governments serve the interests of powerful cultural sector lobbies.

We, civil society and innovative entrepreneurs, believe that it is necessary to promote and defend sharing, and this includes profit sharing.

This is why, now that some filesharing platforms are turning a profit, they are suggesting a change of the game rules, in which middlemen disappear and profits are shared with the creators of the content shared.

The response came swiftly. But the battle is not over and Kim DotCom has announced that the Megabox project is going ahead and will be released soon.

Other projects are following similar paths. After fending off an accusation in which its founders faced a 6-year jail term, the platform Taringa!

The FCForum is contributing to this experience, by launching the Spanish section of the project and discovering how much it really costs to share cultural content in the digital age.

If industries accepted fair competition, this would not be necessary. Civil society, which is much more advanced than legislators in these and other subjects, is determined to put a stop to this corporate, repressive approach and to the mutilation of the Net through laws that regulate copyright and royalties, entrepreneurs and users of culture and knowledge.

Instead, we want to replace it with a Positive Digital Agenda. A Positive Agenda that protects non-profit sharing among individuals once the work in question has been released, and also protects the interests of all the agents involved when financial profits are generated.

With this in mind, we will launch a prototype for collective online drafting of legislation on copyright and the Internet, along the lines of an experience tried in Brazil with the Marco Civil do Internet.

For example, it requires complex juggling and many headaches for politicians to ban street demonstrations in the physical world, but a few lines hidden away in legislative reforms is all they need to ban demonstrations in virtual space, such as DDoS , he same goes for spying on mail, forcing service providers to monitor their customers, censorship, ignoring the presumption of innocence, etc.

People who are up in arms about repression and censorship on the Net in countries such as China should realise that there are lobbies and legislators who are proposing the same thing here.

They should also be aware that the control mechanisms used by repressive regimes are usually paid for by Western multinationals who develop them to control their own employees and then, in order to make the most of their investment, they sell them to States that are repressive to a lesser or greater extent.

Once again, control is also big business. At the FCForum we will study legislative approaches to these issues and ways of defending ourselves from them.

But even so, democracy is being re-built by citizens behaving as a smart mob. At the FCForum we will study the potential of this path, of building a democracy that explores new kinds of participation and engagement technologies, and that includes freedom of information and transparency as built-in, inalienable values.

At the FCForum, we will analyse the strategies employed in new professional and citizen journalism, how the two complement each other, and the attacks they face, as well as looking at ways to defend and support them.

Transparency: Governments do not engage in transparency. Spanish citizens are the least informed of all: Spain is one of the few European States that do not have any transparency legislation.

Under pressure, the current government is planning to pass a simulacrUM. Pure whitewash. This is why there is an urgent need to organise ourselves to achieve a genuine transparency law.

The FCForum is open to anybody who is interested in participating. It is free, and registration is not required.

Fcforum posing as defense of copyright were only the beginning. FCForum logo. Aviso Legal Contacto : contact[at]xnet-x. When we began, not many of us knew what terms like free culture, copyleft licenses, defending a neutral Internet and participation tools were all about…. Made possible by. Cs Go Fehler documents are based on an understanding that current royalties management and cultural distribution systems have become obsolete in the digital age, and the conviction that free software and peer production and distribution is not incompatible with market strategies and commercial distribution. Threads 1 Posts 17 Mannschaft zu tun hat, Counter Strike Spielen hier rein. Trainerstab Nachwuchs. Threads 5 Posts 8 8. Ob mit dem Bus, oder mit dem Auto. Infos zu ehemaligen Spielern und Trainer. Montag, 3. Bundesliga Da wo wir spielen. Statistics Members 3, Threads 52, Posts

Attacks posing as defense of copyright were only the beginning. Even so, something has changed. The victories achieved are proof that civil society is prepared to defend itself.

Placing restrictions on users and creators is synonymous with blocking the invention of new kinds of economies and sustainability.

An overhaul of the legislation that regulates the use of the Internet and the dissemination of information, culture and knowledge in the digital era.

By protecting the Net, we protect a tool for democratic change , a new era. Direct forms of control are spreading to better informed and more connected citizens, allowing them to monitor governments and corporations.

Transparency, access to public data and freedom of information, which governments have always tried to hinder, are the prerequisites for any democracy worthy of the name, and are now gaining ground thanks to the efforts of self-organised citizens on the Net.

As the spectrum of information that citizens can obtain from governments and companies grows, so does our knowledge and level of control.

In , it is enabling them to adapt to the new tactical needs of the current context. With all of this in mind, the FCForum will explore the following subjects, and extract conclusions and useful tools for action from each of them:.

Even though it has been proven that cultural industries and their business models do not in fact defend the interests of authors, but rather those of multinationals and middlemen, while authors can actually defend their own interests on the Internet ; in spite of ample evidence that it will not only be inevitable but also beneficial to restructure the industry based on the new models of creation and dissemination of culture that the Internet makes possible ; in spite of all of this, some artists still believe in the propaganda of cultural industry lobbies, and are being used by them to keep their outdated and obsolete businesses afloat.

This would only be an internal problem for the culture industry, except that it ends up affecting the whole of society because these lobbies are pushing legislation that mutilates the Internet.

Every year, after publishing its influential report on Sustainable Models for Creativity in , the FCForum sets some time aside to help fast track the restructuring of the cultural sector.

Not just for the good of the sector, but also to neutralise the excuses for attacking the Internet and the free flow of culture and knowledge. This year, we will systematise the models that have emerged from the restructuring of the journalism sector, teaching specifically music teaching , digital fabrication based on 3D copies and intermediary platforms for online music creation and distribution.

But above all, we will propose two models that are fully structured in practical and legal terms: to revolutionise for-profit sharing mechanisms on one hand, and crowdfunding on the other.

Crowdfunding, a financing system that dates back thousands of years, has experienced a remarkable boom on and thanks to the Internet. We have also seen how institutions sometimes use it to shirk their responsibility to support culture.

A sane society should promote both kinds, and support them for the good of the sector. Or could it be that governments are intent on protecting multinationals rather than authors?

As it happens, society is defending authors, while governments serve the interests of powerful cultural sector lobbies.

We, civil society and innovative entrepreneurs, believe that it is necessary to promote and defend sharing, and this includes profit sharing.

This is why, now that some filesharing platforms are turning a profit, they are suggesting a change of the game rules, in which middlemen disappear and profits are shared with the creators of the content shared.

The response came swiftly. But the battle is not over and Kim DotCom has announced that the Megabox project is going ahead and will be released soon.

Other projects are following similar paths. After fending off an accusation in which its founders faced a 6-year jail term, the platform Taringa!

The FCForum is contributing to this experience, by launching the Spanish section of the project and discovering how much it really costs to share cultural content in the digital age.

If industries accepted fair competition, this would not be necessary. Civil society, which is much more advanced than legislators in these and other subjects, is determined to put a stop to this corporate, repressive approach and to the mutilation of the Net through laws that regulate copyright and royalties, entrepreneurs and users of culture and knowledge.

Instead, we want to replace it with a Positive Digital Agenda. A Positive Agenda that protects non-profit sharing among individuals once the work in question has been released, and also protects the interests of all the agents involved when financial profits are generated.

With this in mind, we will launch a prototype for collective online drafting of legislation on copyright and the Internet, along the lines of an experience tried in Brazil with the Marco Civil do Internet.

For example, it requires complex juggling and many headaches for politicians to ban street demonstrations in the physical world, but a few lines hidden away in legislative reforms is all they need to ban demonstrations in virtual space, such as DDoS , he same goes for spying on mail, forcing service providers to monitor their customers, censorship, ignoring the presumption of innocence, etc.

For centuries, citizens have been fighting for laws that guarantee our privacy or at least keep the government from using private information against us.

The paradigm of digital manufacturing is changing. From a collection of practices that brought together the fields of research, medialabs and hackerspaces open to the ideas of freedom and autonomy , it has slowly become a reality crossed with commercial interests and products for mass consumption.

This transformation threatens the dynamics of research and collective production knowledge with the commercialisation of this heritage, and experimentation is disappearing and being replaced by the production of objects for consumption.

At the same time, city councils and public organisations are promoting the creation of programmes for makerspaces, fablabs and similar spaces, integrating complex communitary production with ideas of entrepreneurship and job creation.

It is in this context that we propose to analyse and debate these changes, highlighting the communities that have been key players in the appearance of the maker phenomenon and the ideas of free culture that have always been a part of the field.

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